![]() ![]() They are made in an often very chaotic environment where you have little control, and where you more than likely are shoved around by the crowd as well. But there is far more risk involved when using the effect, because when you move the camera, you often cannot be certain of the end result. The effect brings a certain life to the photo that a regular still just can't present, especially considering how straight flash photography too often comes off as really dull when you are forced to use only the hotshoe. Personally my main intent for using the effect was the vivid colours and the interesting streaks and shadows they make in the final image, and not really to cover anything up. On top of that, what is perceived as "good" is often very subjective, especially within art. How do you know their intent? Composition is largely a matter of cropping if you already have the basics down. Nay, in fact it prompts you to be dynamic and jittery, to lounge forward into the music, and let the final image really SHOW how great that moment really was. Moreover, this technique (if you've got it buried in your camera settings somewhere), sets you free to really disregard some of the holy tenets of photography, which is to never, ever move the camera, ever. I've seen great photos taken of dancers and animals in movement done that way. Try it with double exposures, for instance, or with weirdly synced monoblocs. Slow sync flash is a delightful technique that you can be really, really creative with. Nearly all my photographs from such events use some kind of intentional camera movement together with a delayed or early flash sync. It really takes "painting with light" to a new level, though it's of course not the only way to use intentional camera movement. ![]() ![]() Slow sync flash is when you let ambient light expose the film or sensor for a while, before you freeze the scene by activating the flash late. Worked exceptionally well for stage photography, night-time events, electronica concerts, and the like. We do have a video about Selective Color Effect which you will find very informative, too.I've used various techniques for slow sync flash throughout my photography career. You might also check out our other tutorials as well as great post processing Lightroom workflows and Photoshop actions. If you enjoyed this quick tutorial on how to do the tilt shift effect in Adobe Lightroom, you might also be interested in our other video on how to create the tilt-shift effect in Adobe Photoshop. This is the kind of effect you would want to put on Instagram. We can click on the before and after button and see the half of the original photo and the after photo, and you can see the cool effects the process adds to the image. One way to decrease the model is to click on the nodes and play with the clarity as shown in the video but the sharpness really gives the effects. You can already see the effects and it already looks like a miniature model effect, making the picture look like a tiny village or model that was made. I will do another effect by going to ‘New’ and drag another effect from the bottom and then repeat the process of reducing clarity and sharpness and then click done. You can see that it is only blurring a small section and therefore will take the filter and drag it down as much as I can Sometimes the clarity doesn’t work but still, I will go ahead keep it and see what we will do. I will also bump two sliders down and then do the clarity as well. You should drag the filter all the way to the part of the image you want to choose and blur out. ![]()
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